Back to work

First rehearsal after break, and 8bb is in fine form:

“Can we go from letter B?”

“If we must, but only if we play it really Voluptuously, as Kati has marked.”

“Just think of Salma Hayek.”

“Actually, I already was.”

“But letter B is only marked forte, so shouldn’t it be less “voluptuous”?”

“So we should think ‘Cameron Diaz’?”

“Or maybe ‘Scarlett Johansson’?”

“No! We have to save Scarlett for the triple forte at C!!”

This exchange took place during a rehearsal of Kati Agocs’s fantastic work from last year, Immutable Dreams. Apart from the Voluptuous marking, Kati has also asked for: Delicate and visceral, with a “sustained feeling”; Dirty; With limpid elegance.

2008-09 will certainly be action-packed (one old and one new program, a huge new multi-media project, Ojai Festival, trips to Europe and Australia…), so look forward to another year of blog entries that are, well, if not sublime then at least ridiculous.

It’s good to be back in the unreal world of 8bb.

Beer o’clock, Aussie edition

My aim was simple. Drink every Australian microbrew in the allotted time. 

Will I succeed? I still have nine days left in Oz, but as George Dubbayah would say, “History will be my judge.”

Ahem.

Highlights:

Moo-brew. The growth in the number and quality of Australian microbreweries has gathered a head of steam over the last five years mostly due to the success of True-blue Aussie wineries. This is particularly the case with South Australian-based Barossa Valley wineries like Pepperjack, but the Taswegians have also done us proud with Moorilla’s Moo Brew. I tried their pale ale, dark ale and imperial stout, and unsurprisingly in Oz’s coldest climate the dark beers are absolutely ripper (although, as you can see in the photo below, the dark ale is, well, not very dark):

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Moutain Goat. This is the real deal. Despite their youth in beer years, these Melbourne-based guys brew like seasoned pros: the IPA had US-style kick but some serious flavor, the hightail was hoppy with some yummy fruity goodness, and the stout was coffee- and choco-licious. The Phot and the Mac, prepare yourself for a night on some very good piss at the Goat Bar in Melbourne!

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That’s all for now, but I will leave you with an inspiring photo. Below, the son of some Aussie friends of mine being trained in a great Aussie pastime:

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Papa miscellany

No sooner had I planned and booked, with great love and clinical precision, a 10-day jaunt around my favorite cities in Oz than I discovered that my trip to Sydney would exactly coincide with World Youth Day. True, I am (relatively) young; true, I like…um…the world; true, a big one-day multicultural party did sound like a lot of fun. 

But World Youth Day was not what it seemed.

A hint could be found in the “theme” for this year’s festivities:

‘You will receive power when the Holy Spirit has come upon you; and you will be my witnesses.’ Acts 1:8

Although you won’t find mention of it on the WYD website, this was an event organized by the Catholic church, a somewhat desperate attempt to mobilize young people at a time when few under-40s would be caught dead at Sunday mass. It neither occurred on one day (packing events into one week), nor involved a great number of young people (there seemed to be a surprising number of over-40s).

Much of Sydney’s downtown area was closed to traffic to make way for 300 000 hyperactive Catholics from around the world, who, draped in their country’s flags and sporting bright orange-and-yellow backpacks, strode the streets singing Christian rock and chants like “U-S-A, U-S-A” and “Aussie, Aussie, Aussie, Oi, Oi, Oi!” (At least they were readily identifiable.) The nationalistic fervor was certainly surprising for an event preaching universal love and understanding.

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Below, a view of the “pilgrims” on their “pilgrimage” (which to judge from some WYD participants’ comments seemed like more of a tourist photo-op than a blood-sweat-n-tears, hard-yakka struggle) across the Sydney Harbour Bridge. I really couldn’t escape…

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I even got a glimpse of the Papa, who glided through Sydney in the pope-mobile, as I sipped Toohey’s in a friend’s well-appointed flat:

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How curious that a Mozart- and Bach-loving Pope, who has spoken out against the evils of popular music (calling it the “work of Satan“), should be the rock-star figurehead of an event that often appeared to be little more than a Christian-themed rock music festival. A pianist friend of mine actually played chamber works by Schumann (the Piano Quintet and oboe Romances) in two private concerts for the Pope soon after he arrived. After she sweated and strained through the quintet’s strenuous piano part, the Pope approached her: “You have worked very hard.”

WYD merchandise hung in every shop window, and even the George Street beggars were trying to lure the pilgrims with the promise of redemption.

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And the cost to taxpayers? 163 million Australian dollars in State and Federal funds. 

My favorite WYD-related moment during the week came when I visited the Biennale of Sydney at the Museum of Contemporary Art (a fabulous building on Circular Quay, across from the Opera House…god, how I love Sydney!!).

My Biennale-viewing day coincided with WYD’s “Stations of the Cross” event. Live video of this quite crass display was broadcast on a cinema-sized screen next to the MCA, and once Jesus had been suitably crucified (with the Sydney Opera House visible in the background) the WYD pilgrims, somewhat surprisingly, began to file into the museum, where they were greeted by this Leon Ferrari sculpture, hanging from the ceiling: